margaret mahy down the back of the chair

The filmmakers made very deliberate choices about what in “Are You There God? It’s Me, Margaret” should look like home and feel intensely familiar and where they could emphasize period detail so that the film still reads as authentically of its time. “Are You There God? It’s Me, Margaret” Dana Hawley/Lionsgate I don’t know quite why, but where the carpet is sort of lit up in places, it feels like home to me.” “There’s something about that light streaming through a window that just evokes something nostalgic for me. “I really love this sort of side light, this light that cuts through and creates little, this dappled light on the floor,” Fremon Craig said. “Margaret’s room, for instance, my hope was that her room would feel like you could see that in 1970, but you could also see it in 1980 or today, you know? That it would just have this timeless nostalgia that everybody would be able to feel back into their own childhood,” Fremon Craig said.īut Fremon Craig and cinematographer Tim Ives are also leaning on the scale slightly in the quality of light, bathing the film in a warmth that makes the characters and their world seem just a little bit softer, a little more like a memory. Much of how that needle gets threaded is down to the work of production designer Steve Saklad and costume designer Ann Roth, who never go as fully loud and proud in the late ’60s and early ’70s style as the period might warrant. It was at the center of my mind the whole time as I was thinking about how to build this world visually.”

So I was trying to thread this needle between looking both of the time and also timeless. And what I didn’t want was for to feel alienating to people who didn’t grow up in 1970 or had seen it differently in their minds. “Like, I have to set us in a time period and make choices.

Why ‘Queen Charlotte’ Says Yes to a Very Specific Wedding Dressīut any film adaptation of “Are You There God? It’s Me, Margaret” needs to pick a specific time and place for Margaret. “The difference between a book and a film is I have to choose visually,” Fremon Craig said.

Margaret mahy down the back of the chair